Composer · crew · Producer · Director · Writer

1937-01-03 · Long Beach, California, USA · Male

32 series in the catalog

Glen Albert Larson (January 3, 1937 – November 14, 2014) was an American television producer, writer, and composer. He created many series, including Alias Smith and Jones; Battlestar Galactica; Buck Rogers in the 25th Century; The Misadventures of Sheriff Lobo; Quincy, M.E.; The Hardy Boys/Nancy Drew Mysteries; B. J. and the Bear; The Fall Guy; Magnum, P.I.; and Knight Rider. Active on television until the early 2010s, he was also a member of the folk revival/satire group The Four Preps.

Career

Larson began his career in the entertainment industry in 1956 as a member of the vocal group The Four Preps, with whom he appeared in one of the Gidget films. The Four Preps ultimately produced three gold records for Capitol, all of which Larson himself wrote and/or composed: "26 Miles (Santa Catalina)", "Big Man", and "Down by the Station". A later member of the Four Preps, David Somerville, and a session singer he knew, Gail Jensen, later collaborated with Larson to write and compose "The Unknown Stuntman", the theme from The Fall Guy; series lead Lee Majors performed this song over the opening titles.

After working for Quinn Martin on productions including The Fugitive (where he had his first writing credit), Larson signed a production deal with Universal Studios. His first hit series was Alias Smith and Jones, a 1971–1973 Western which described the activities of Hannibal Heyes and Jedediah "Kid" Curry, concentrating on their efforts to go straight. (George Roy Hill's film, scripted by William Goldman, about Butch Cassidy and the "Sundance Kid", is commonly believed to have been the inspiration for the series.)

Larson was involved in the development for television of The Six Million Dollar Man, based on Martin Caidin's novel Cyborg; after ABC rejected the original pilot, Larson rewrote it and wrote two 90-minute telefilms that persuaded network executive Barry Diller to greenlight the series, on which he served as an early executive producer.

Larson later secured a then-unprecedented $1 million per episode budget for Battlestar Galactica. The show incorporated many themes from Mormon theology, such as sealing (marriage) for "time and eternity" and a "council of twelve". Larson, a member of the Church of Jesus Christ of Latter-day Saints in real life, had been working on the concept since 1968 with former Star Trek producer Gene L. Coon mentoring him in its early development. Although he originally wanted to name the series Adam's Ark, he instead opted for Galactica. He was later convinced to include the word "star" in the title to capitalize on the recently released film Star Wars, eventually morphing the title into Battlestar Galactica. Larson was similarly convinced to deviate from his plan to produce the property as a series of TV movies to a weekly hour-long series, which caught his crew by surprise with a production schedule more demanding than originally expected in terms of writing while it overwhelmed the series' budgetary limits.

Even with its unprecedented budget, the series was canceled after one season due to high production costs and declining ratings. The pilot episode, titled "Saga of a Star World" was edited into a two-hour theatrical film, and a re-edit of other episodes was released as a second theatrical feature film titled Mission Galactica: The Cylon Attack.

After the series was canceled, ABC agreed to revive the franchise for the 1979–80 season as Galactica 1980, set decades later when the Galactica finally reaches Earth. Accounts of how the revival came about differ: Larson later said he had personally lobbied for it, writing a spec script on speculation and arranging for it to be hand-delivered to ABC's president by way of a stunt involving borrowed hotel bellhop uniforms; story editor Allan Cole instead recalled that ABC had pressured a reluctant Universal into reviving a series that had already cost the studio money. Early plans developed with Donald P. Bellisario used a time-travel premise, which was dropped after the pilot but which Bellisario later revisited as the basis for Quantum Leap. Although intended as an economy measure, the series' per-episode budget ran as high as $1.2 million to $1.5 million against the $600,000 to $700,000 ABC paid to license each episode for its children-oriented Sunday time slot, with Universal absorbing the remainder. Story editors Cole, Chris Bunch, and Robert L. McCullough described a disorganized production in which Larson wrote and rewrote scripts from a condo in Hawaii, with little advance plan for the show's characters or premise; a contemporaneous Starlog feature likewise described a hectic schedule, with multiple episodes in production at once and rewrites continuing through the night. Scheduled in ABC's Sunday "family hour" and bound by content restrictions aimed at children, the series suffered declining ratings and was canceled after 10 episodes.

Larson re-used some of the sets, props, costumes, and effects work from Galactica for the light-hearted sci-fi series Buck Rogers in the 25th Century in 1979. Based on the comic-book character created in 1928 by Philip Francis Nowlan, Larson co-developed the series with Leslie Stevens. The feature-length pilot episode was released as a theatrical film in March 1979 and grossed $21 million at the North American box office. The weekly television series began in September 1979, running for two seasons until April 1981.

In the 1980s, Larson had further success as one of the creators of Magnum, P.I., which ran from 1980 to 1988. Around the same time, he left Universal to work for 20th Century-Fox. Additionally, Larson created The Fall Guy, which ran from 1981 to 1986. Larson's next prominent series was Knight Rider, which featured science-fiction elements with a light-hearted action-adventure scenario and limited violence. These basic elements characterized many of Larson's series throughout the 1980s with Automan, Manimal and The Highwayman, though all of these shows were unsuccessful and none lasted more than a single season. Larson's profile declined, though he made a brief comeback in the 1990s with an adaptation of the Ultraverse comic Night Man, which lasted two seasons.

In 2003, Battlestar Galactica was remade for the Sci-Fi Channel as a miniseries; it was followed by a 2004 series that lasted multiple seasons. When the miniseries was in development, Larson sought a writing credit through Writers Guild of America arbitration; Ronald D. Moore, who developed the new series, later said he felt Larson deserved the credit because the story was essentially the same as Larson's original, just done "in different ways." As a result, Larson received a writing credit on the miniseries under the pseudonym "Christopher Eric James" and a "based on the series created by" credit on every episode of the 2004 series, along with a "Consulting Producer" credit throughout the reimagined franchise as a result of retaining rights to the Battlestar Galactica concept. After the series ended in 2009, a short-lived prequel series, Caprica, followed in 2010. Larson was again not involved, but received a screen credit for the creation of certain characters.

In February 2009, The Hollywood Reporter reported that Larson was in talks with Universal Pictures to bring Battlestar Galactica to the big screen, though any potential feature film would not be based on the 2004 series but would possibly be based on the original series. The project stalled for some time; in 2011 a re-announced version was no longer a continuation of the original series but rather a complete remake.

Criticism

Despite his success, much criticism has been aimed at Larson for his perceived general lack of originality as many of his television series are seen as small screen "knock-offs" of feature films. Harlan Ellison once referred to him as "Glen Larceny" for the similarities between Larson's shows and cinema blockbusters.

In his autobiography, The Garner Files, James Garner claimed…