Barbara Lynn Herzstein, better known as Barbara Hershey (born February 5, 1948), is an American actress. In a career spanning more than 50 years, she has played a variety of roles on television and in cinema in several genres, including Westerns, horrors, and comedies. She began acting at age 17 in 1965, but did not achieve widespread critical acclaim until the 1980s. By that time, the Chicago Tribune referred to her as "one of America's finest actresses".
Hershey won an Emmy and a Golden Globe for Outstanding Lead Actress in a Miniseries/TV Film for her role in A Killing in a Small Town (1990). She received Golden Globe nominations for Best Supporting Actress for her role as Mary Magdalene in The Last Temptation of Christ (1988) and for her role in The Portrait of a Lady (1996). For the latter film, she was nominated for an Academy Award for Best Supporting Actress and won the Los Angeles Film Critics Award for Best Supporting Actress. She has won two Best Actress awards at the Cannes Film Festival for her roles in Shy People (1987) and A World Apart (1988). She was featured in Woody Allen's Hannah and Her Sisters (1986), for which she was nominated for the British Academy Film Award for Best Supporting Actress. She starred in Garry Marshall's melodrama Beaches (1988) and earned a second British Academy Film Award nomination for Darren Aronofsky's Black Swan (2010).
Establishing a reputation early in her career as a hippie, Hershey experienced conflict between her personal life and her acting goals. Her career declined during a six-year relationship with actor David Carradine, with whom she had a child. She experimented with a change in stage name to Barbara Seagull. During this time, her personal life was highly publicized and ridiculed. Her acting career was not well established until she separated from Carradine and changed her stage name back to Hershey. In 1990, later in her career, she reportedly began to keep her personal life private.
Early life
Barbara Lynn Herzstein was born in Hollywood, the daughter of Arnold Nathan Herzstein, a horse-racing columnist, and Melrose Herzstein (née Moore). Her father's parents were Jewish emigrants from Hungary and Russia, while her mother, a native of Arkansas, was a Presbyterian of Scots-Irish descent.
The youngest of three children, Barbara always wanted to be an actress, and her family nicknamed her "Sarah Bernhardt". She was shy in school and so quiet that people thought she was deaf. By the age of 10, she proved herself to be an "A" student. Her high-school drama coach helped her find an agent, and in 1965, at age 17, she landed a role on Sally Field's television series Gidget. Barbara said that Field was very supportive of her in her first acting role. According to The New York Times All Movie Guide, Barbara graduated from Hollywood High School in 1966, but David Carradine, in his autobiography, said she dropped out of high school after she began acting.
Career
1960s
Hershey's acting debut, two episodes of Gidget, was followed by the short-lived television series The Monroes (1966), which also featured Michael Anderson Jr. By this point, she had adopted the stage name "Barbara Hershey". Although Hershey said the series helped her career, she expressed some frustration with her role, saying: "One week I was strong, the next, weak". While on the series, Hershey garnered several other roles, including one in Doris Day's final feature film, With Six You Get Eggroll.
In 1968, Hershey worked in the 1969 Glenn Ford Western Heaven with a Gun. On the set, she met and began a romantic relationship with actor David Carradine, who later starred in the television series Kung Fu (see Personal life). In the same year, she acted in the controversial drama Last Summer, which was based on Evan Hunter's eponymous novel. In this film, Hershey played Sandy, the "heavy" who influences two young men (played by Bruce Davison and Richard Thomas) to rape another girl, Rhoda (played by Catherine Burns). Though the film, directed by Frank Perry, received an X rating for the graphic rape scene, Burns earned a Best Supporting Actress Oscar nomination for her performance.
During the filming of Last Summer, a seagull was killed. "In one scene," Hershey explained, "I had to throw the bird in the air to make her fly. We had to reshoot the scene over and over again. I could tell the bird was tired. Finally, when the scene was finished, the director, Frank Perry, told me the bird had broken her neck on the last throw." Hershey felt responsible for the bird's death and changed her stage name to "Seagull" as a tribute to the creature. "I felt her spirit enter me," she later explained. "It was the only moral thing to do." The name change was not positively received. When she was offered a part opposite Timothy Bottoms in The Crazy World of Julius Vrooder (1974) (or Vrooder's Hooch), Hershey had to forfeit half her salary, $25,000, to be billed under the name "Seagull" because the producers were not in favor of the billing.
1970s
In 1970, Hershey played Tish Grey in The Baby Maker, a film that explored surrogate motherhood. Criticizing the directing and writing of James Bridges, critic Shirley Rigby said of the "bizarre" film, "Only the performances in the film save it from being a total travesty." Rigby went on to say, "Barbara Hershey is a great little actress, much, much more than just another pretty face."
Hershey once said that starring in Boxcar Bertha (1972) "was the most fun I ever had on a movie." The film, co-starring Hershey's domestic partner, David Carradine, and produced by Roger Corman, was Martin Scorsese's first Hollywood picture. Shot in six weeks on a budget of $600,000, Boxcar Bertha was intended to be a period crime drama similar to Corman's Bloody Mama (1970) or Bonnie and Clyde (1967). Although Corman publicized it as an exploitation piece with plenty of sex and violence, Scorsese's influence made it "something much more". Roger Ebert, of the Chicago Sun-Times, wrote of the film's direction, "Martin Scorsese has gone for mood and atmosphere more than for action, and his violence is always blunt and unpleasant—never liberating and exhilarating, as the New Violence is supposed to be." A pictorial recreating sexually explicit scenes from the movie appeared in Playboy magazine in 1972.
By the mid-1970s, Hershey concluded, "I've been so tied up with David [Carradine] that people have forgotten that I am me. I spend 50 percent of my time working with David." She had, in 1974, guest-starred in a two-part episode of Carradine's television series Kung Fu. She played, under the direction of Carradine, a love interest to his character, Kwai Chang Caine, during his time at the Shaolin temple. She also appeared in two of Carradine's independent directorial projects, You and Me (1975) and Americana (1983), both of which had been filmed in 1973. Her father, Arnold Herzstein, also appeared in Americana.
She publicly acknowledged the desire to be recognized in her own right. Later, in 1974, she did just that, winning a gold medal at the Atlanta Film Festival for her role in the Dutch-produced film Love Comes Quietly.
Later in the decade, Hershey starred with Charlton Heston in The Last Hard Men (1976). She hoped the film would revive her career after the damage she felt it had suffered while she was with Carradine, believing that the hippie label she had been given was a career impediment. By this time, she had shed Carradine and her "Seagull" pseudonym. Throughout the rest of the 1970s, however, she was appearing in made-for-TV movies that were described as "forgettable", like Flood! (1976), Sunshine Christmas (1977), and The Glitter Palace (1977), in which she played a lesbian.
1980s
Hershey landed a role in Richard Rush's The Stunt Man (1980), marking a return to the big screen after four years and earning her critical praise. Hershey felt that she would be forever in debt to Rush for fighting with financiers…