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Actor

1955-06-27 · Paris, France · Female

8 series in the catalog

Isabelle Yasmine Adjani (French pronunciation: [izabɛl adʒani]; born 27 June 1955) is a French actress and singer, known for portraying tragic and emotionally complex characters across various genres, particularly psychological films. She has received various accolades, including five César Awards, a Lumière Award and a Best Actress Award at the Cannes Film Festival, along with nominations for two Academy Awards. Adjani was made a Chevalier of the Légion d'honneur in 2010 and a Commandeur of the Ordre des Arts et des Lettres in 2014.

Adjani has won a record five Césars for Best Actress for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and La Journée de la jupe (2009). Her other César-nominated roles were in The Story of Adèle H. (1975), Barocco (1976), Subway (1985), and The World Is Yours (2018). Other notable films include The Slap (1974), The Tenant (1976), The Driver (1978), Nosferatu the Vampyre (1979), All Fired Up (1982), Deadly Circuit (1983), Ishtar (1987), Diabolique (1996), Adolphe (2002), Bon voyage (2003), French Women (2014), and Peter von Kant (2022).

Adjani came to international prominence for her portrayal of Adèle Hugo in The Story of Adele H., for which she was nominated for the Academy Award for Best Actress at age 20, becoming the youngest nominee in the category at the time. She later collected a second Best Actress nomination for portraying Camille Claudel in Camille Claudel, thus becoming the first French actress to receive two Academy Award nominations for foreign-language films. Adjani also won the Cannes Film Festival's Best Actress Award for her performances in Possession and Quartet (1981), which makes her the only actress to win a joint award for two films in the same competition slate, and the Berlinale's Silver Bear for Best Actress for Camille Claudel.

Early life and education

Isabelle Yasmine Adjani was born on 27 June 1955 in the 17th arrondissement of Paris, to Mohammed Cherif Adjani, an Algerian Muslim from Constantine, and Emma Augusta "Gusti" Schweinberger, a German Catholic from Bavaria.

Adjani's parents met near the end of World War II, when her father was in the French Army and stationed in Germany. They married and her mother returned with him to Paris, despite not speaking a word of French. She asked him to take Cherif as his first name as she thought it sounded more "American".

Isabelle grew up bilingual, speaking French and German fluently, in Gennevilliers, a northwestern suburb of Paris, where her father worked in a garage. After winning a school recitation contest, Adjani began acting by the age of 12 in amateur theater. She successfully passed her baccalauréat and was auditing classes at the University of Vincennes in 1976.

Adjani had a younger brother, Éric, who was a photographer. He died on 25 December 2010, aged 53.

Acting career

At the age of 14, Adjani starred in her first motion picture, Le Petit Bougnat (1970). She first gained fame as a classical actress at the Comédie-Française, which she joined in 1972. She was praised for her interpretation of Agnès, the main female role in Molière's L'École des femmes. She soon left the theatre to pursue a film career.

After minor roles in several films, she enjoyed modest success in the 1974 film La Gifle (The Slap), which François Truffaut saw. He immediately cast her in her first major role in The Story of Adèle H. (1975), a project that he had finished writing five years prior but had waited to cast the right actress for the part. Critics unanimously praised her performance, with the American critic Pauline Kael describing her acting talents as "prodigious".

Only 19 when she made the film, Adjani was nominated for the Academy Award for Best Actress in a Leading Role, becoming the youngest Best Actress nominee at the time (a record she held for almost 30 years). She quickly received offers for roles in Hollywood films, such as Walter Hill's 1978 crime thriller The Driver. She had previously turned down the chance to star in films like The Other Side of Midnight. She had described Hollywood as a "city of fiction" and said, "I'm not an American. I didn't grow up with that will to win an award." Truffaut on the other hand said, "France is too small for her. I think Isabelle is made for American cinema." She agreed to make The Driver because she was an admirer of Hill's first film Hard Times. Adjani said:

I think he is wonderful, very much in the tradition of Howard Hawks, lean and spare. The story is contemporary but also very stylized, and the roles that Ryan and I play are like Bogart and Bacall. We are both gamblers in our souls and we do not show our emotions or say a lot. For us, talk is cheap. I am really quite a mysterious girl in this film, with no name and no background. And I must say that it is restful not to have a life behind me; this way, I don't have to dig deep to play the part. All I know is that life for me is gambling and I am a loser. I have what people call a poker face.

The film was seen more than 1.1 million times in Adjani's native France but did not do as well in the US.

She played Lucy in the German director Werner Herzog's 1979 remake of Nosferatu which was well-received critically and performed well at box offices in Europe. Roger Ebert loved the film, calling Herzog's casting of Adjani one of his "masterstrokes" in the film. He wrote that she "is used here not only for her facial perfection but for her curious quality of seeming to exist on an ethereal plane." The cast and the crew filmed both English- and German-language versions simultaneously upon request of 20th Century Fox, the American distributor, as Kinski and Bruno Ganz could act more confidently in their native language.

In 1981, she received a double Cannes Film Festival's Best Actress award for her roles in the Merchant Ivory film Quartet, based on the novel by Jean Rhys, and in the horror film Possession, directed by Andrzej Żuławski. For her performance in the latter film, she received her first César Award in 1982.

In 1983, she won her second César for her depiction of a vengeful woman in the French blockbuster One Deadly Summer, and starred with Michel Serrault in the thriller Deadly Circuit directed by Claude Miller. That same year, Adjani released the French pop album Pull marine, written and produced by Serge Gainsbourg. She then starred in a music video for the hit title song, Pull Marine, which was directed by Luc Besson.

Adjani also drew controversy at the 1983 Cannes Film Festival when she refused to attend a traditional photocall after the press conference for One Deadly Summer. Adjani was annoyed at the time by the intrusion of photographers into her private life. The photographers in Cannes boycotted Adjani upon her arrival on the red carpet for the premiere, at which point they put down their cameras and turned their backs to her.

In 1988, she co-produced and starred in a biopic of the sculptor Camille Claudel. She received her third César and second Oscar nomination for her role in the film, becoming the first French actress to receive two Oscar nominations for French movies. The film was also nominated for the Academy Award for Best Foreign Language Film.

She received her fourth César for the 1994 film Queen Margot, an ensemble epic directed by Patrice Chéreau. She received her fifth César for Skirt Day (2009), the most that any actress has received. The film features her as a middle school teacher in a troubled French suburb who takes her class hostage when she accidentally fires off a gun she found on one of her students. It was premiered on the French Arte channel on 20 March 2009, attaining a record 2.2 million viewers) and then in movie theaters on 25 March 2009. The film was her return to the cinema after eight years of absence.

In 2010, she made an appearance in the social comedy Mammuth, from directors Benoît Delépine and Gustave Kervern, and in which she played the…